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[[File:Obduction soundtrack.png|thumb|332x332px|The cover art for the soundtrack.]]
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'''''Obduction - Original Game Soundtrack''''' is the official soundtrack album for ''[[Obduction]]''. The music was composed and produced by Robyn Miller, brother of Rand Miller and co-creator of/composer for ''Myst'' and ''Riven''. The album contains 28 tracks. More tracks were produced and have been released on Robyn's [https://soundcloud.com/robyn-c-miller/ SoundCloud].
  
'''''Obduction - Original Game Soundtrack''''' is the official soundtrack album for ''[[Obduction]]''. The music was composed and produced by Robyn Miller, brother of Rand Miller and co-creator of/composer for ''Myst'' and ''Riven''. The album contains 28 tracks. More tracks were produced and have been released on Robyn's [https://soundcloud.com/robyn-c-miller/ SoundCloud].
   
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Initially, Robyn only joined the production of ''Obduction'' to the play the part of [[C.W.]] and even told his brother that he would not compose any music. However, Rand eventually convinced him to take on the considerably more time consuming task of composing a soundtrack. Robyn was persuaded by the story and ideas that Rand had for the game<ref>[http://www.originalsoundversion.com/interview-with-composer-robyn-miller-on-the-obduction-soundtrack/ Robyn's interview for ''Original Sound Version'']]</ref> and saw it as a fun opportunity for the two to work together again. He was not able to play through ''Obduction'' before he started composing, but he was shown visuals and given story information to help him along.<ref name=respawn>[http://wshu.org/post/respawn-robyn-miller-reveals-his-new-music-obduction Robyn's interview for ''Respawn!'']</ref> He made a conscious effort to avoid composing music that sounded too similar to the pieces he created for ''Myst''.<ref>[https://soundcloud.com/robyn-c-miller/the-past-has-a-way-of-repeating-itself Robyn's comment on SoundCloud]</ref> This included a stronger emphasis on location-based pieces that focus on what the player is seeing and experiencing rather than character motifs.<ref name=respawn />
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Initially, Robyn only joined the production of ''Obduction'' to play the part of [[C.W.]] and even told his brother that he would not compose any music. However, Rand eventually convinced him to take on the considerably more time consuming task of composing a soundtrack. Robyn was persuaded by the story and ideas that Rand had for the game<ref>[http://www.originalsoundversion.com/interview-with-composer-robyn-miller-on-the-obduction-soundtrack/ Robyn's interview for ''Original Sound Version'']]</ref> and saw it as a fun opportunity for the two to work together again. He was not able to play through ''Obduction'' before he started composing, but he was shown visuals and given story information to help him along.<ref name=respawn>[http://wshu.org/post/respawn-robyn-miller-reveals-his-new-music-obduction Robyn's interview for ''Respawn!'']</ref> He made a conscious effort to avoid composing music that sounded too similar to the pieces he created for ''Myst''.<ref>[https://soundcloud.com/robyn-c-miller/the-past-has-a-way-of-repeating-itself Robyn's comment on SoundCloud]</ref> This included a stronger emphasis on location-based pieces that focus on what the player is seeing and experiencing rather than character motifs.<ref name=respawn />
   
 
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# [[Mutated Clockwork]] (3:55)
  
# [[Mutated Clockwork]] (3:55)
 
# [[Machine Step]] (3:07)
  
# [[Machine Step]] (3:07)
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# [[Hive]] (2:33)
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# [[Hive (song)|Hive]] (2:33)
 
# [[History Lesson]] (2:56)
  
# [[History Lesson]] (2:56)
 
# [[Iron Altitude High]] (2:23)
  
# [[Iron Altitude High]] (2:23)
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# [[You Paid for this View]] (4:46)
  
# [[You Paid for this View]] (4:46)
 
# [[You Lost, Bitch]] (4:11)
  
# [[You Lost, Bitch]] (4:11)
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# [[Dispora (song)|Diaspora]] (3:52)
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# [[Diaspora (song)|Diaspora]] (3:52)
 
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# [[Post Game Tristesse]] (3:17)
   
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== References ==
  
== References ==
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[[Category:Soundtrack]]

Latest revision as of 01:56, 8 July 2017

Obduction soundtrack

The cover art for the soundtrack.

Obduction - Original Game Soundtrack is the official soundtrack album for Obduction. The music was composed and produced by Robyn Miller, brother of Rand Miller and co-creator of/composer for Myst and Riven. The album contains 28 tracks. More tracks were produced and have been released on Robyn's SoundCloud.

Initially, Robyn only joined the production of Obduction to play the part of C.W. and even told his brother that he would not compose any music. However, Rand eventually convinced him to take on the considerably more time consuming task of composing a soundtrack. Robyn was persuaded by the story and ideas that Rand had for the game[1] and saw it as a fun opportunity for the two to work together again. He was not able to play through Obduction before he started composing, but he was shown visuals and given story information to help him along.[2] He made a conscious effort to avoid composing music that sounded too similar to the pieces he created for Myst.[3] This included a stronger emphasis on location-based pieces that focus on what the player is seeing and experiencing rather than character motifs.[2]


Official Tracks

  1. Not Worth the Wistful Sentimentality of this Moment (3:05)
  2. The Rabbit Hole (1:12)
  3. Welcome Music (2:18)
  4. A Man Who Grossly Overvalues His Own Importance (2:18)
  5. Caroline Farley (2:26)
  6. Completing Your Task (2:30)
  7. Politics as Usual (2:51)
  8. The Space Between Worlds I (3:49)
  9. Alone at this Point (3:00)
  10. Mutated Clockwork (3:55)
  11. Machine Step (3:07)
  12. Hive (2:33)
  13. History Lesson (2:56)
  14. Iron Altitude High (2:23)
  15. From the Innocent Earth (2:19)
  16. Stepping Over Bones (2:17)
  17. W.M.D. (1:46)
  18. Always Ignore the Damage You've Done (1:27)
  19. Who Will Stand at Our Graves? (4:08)
  20. The Space Between Worlds II (2:42)
  21. Village Noise (1:42)
  22. Caroline Farley Reprise (2:29)
  23. Big Fish (2:11)
  24. Adrenaline Junky (3:06)
  25. You Paid for this View (4:46)
  26. You Lost, Bitch (4:11)
  27. Diaspora (3:52)
  28. Post Game Tristesse (3:17)

Bonus Tracks

These songs were composed by Robyn for use in Obduction but ultimately went unused.

  1. Music at Priest Lake (2:43)
  2. The Past Has a Way of Repeating Itself (2:27)
  3. W.M.D. (Original Version) (1:55)

References

  1. ↑ Robyn's interview for Original Sound Version]
  2. ↑ 2.0 2.1 Robyn's interview for Respawn!
  3. ↑ Robyn's comment on SoundCloud
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